Talk is tricky. Stephen King says dialogue is the one thing a writer is either good at naturally or they aren’t. Author and editor Trevor Byrne doesn’t entirely agree and his workshop will demonstrate the ways every writer can improve their ability to write great dialogue.

In this masterclass, we’ll look at examples of excellent dialogue from film, TV, stories, and novels, with a view to understanding why some talk just seems to work; why it sounds right. We’ll also look at bad talk in good books – partly to make ourselves feel better, but mostly so we can avoid the mistakes even acclaimed writers sometimes make.

We’ll explore the function of dialogue in fiction, and how we can make sure we’re using it to best effect. Dialogue develops plot by releasing new information, and helps build the storyworld. Dialogue is characterisation; dialogue reveals the speaker even if they don’t mean it to. Dialogue makes the reader laugh or gasp or cringe. Yet dialogue, crucially, is also action – talk, in fiction, is tension. Talk is conflict.

No matter the function, the clever work that your dialogue does shouldn’t draw attention to itself. Everything a character says should ‘sound’ like real talk, for its time and place: we’ll look at accent and idiom (should you use it?), at the rhythms and cadences of real talk.

Sometimes great dialogue in fiction is the sly, loaded,  impossibly tense verbal sparring between Cromwell and More in Hilary Mantel’s The Mirror and the Light, and sometimes it’s Vincent and Jules in Pulp Fiction chatting with delighted, faintly disdainful disbelief about what Parisians call various McDonald’s menu items.

By the end of this workshop, you’ll have the tools and tricks you need to create vibrant, authentic, muscular, effective dialogue.

Great characters are one of the most important ingredients for a successful story. But how does a writer go about crafting characters that are both complex and compelling — characters we might love and hate in equal measure, but always want to keep following to the end of their journey? This course will cover the basics of inventing and fleshing out new characters, creating and communicating backstory, writing dialogue and, crucially, situating characters within convincing relationship structures with family, friends, lovers, and others.

This four-week course addresses and helps you to overcome imposter syndrome and that critical inner voice. It will stop you from comparing yourself with other writers. I’m going to get you to a place where all your brain space and energy goes into your writing, not having to manage the obstacles and barriers that eat into your writing time. I’ve worked a lot on overcoming these challenges, and want to share with you how I did it. If I hadn’t, I doubt I’d have got a two-book deal with Hachette, and become a published author!

Experiment with different forms including the short story, mindful writing and memoir. This four-week course has been designed so you can try out a variety of types of writing and have a great time while doing so!

Experiment with different forms including the short story, mindful writing and memoir. This four-week course has been designed so you can try out a variety of types of writing and have a great time while doing so!

Experiment with different forms including the short story, mindful writing and memoir. This four-week course has been designed so you can try out a variety of types of writing and have a great time while doing so!

Experiment with different forms including the short story, mindful writing and memoir. This four-week course has been designed so you can try out a variety of types of writing and have a great time while doing so!

During this six-week course, you will:

• Write your own CBeebies’-ready picture book
• Communicate deep and meaningful messages in deceptively simple ways
• Learn to write for a dual readership
• Master precision writing, narrative arc, and page turn
• Enjoy a mixture of close reading, writing, manuscript sharing, and reflection
• Gain industry and agent insights

Each attendee will also be given bespoke feedback on their final picture book, including comments, edits, and suggested next steps.

Please note: no illustration skills or previous writing for children experience is necessary.

Professor Wendy O’Shea-Meddour is the Director of Creative Writing at Exeter University.
Brought up in Aberystwyth, she did a PhD in Critical and Cultural Theory at Cardiff University before going on to teach English Literature at Oxford University for eight years. In 2012, her debut children’s book came second in the ‘Branford Boase Outstanding First Novel Award’ and Wendy has gone on to receive a wealth of international accolades including TIME Magazine’s ‘Best Ten Children’s Books of the Year’ and the US’s prestigious Margaret Wise Brown Prize for Children’s Literature.

With over 30 books published, many in over 20 languages, her latest stories have been read on CBeebies by Tom Hardy, Emily Watson and Louis Theroux.

How to write compelling short fiction, including flash and ‘sudden’ fiction for submission, publication & competition entry to prizes such as the BBC short story prize, the Bridport, The Manchester, The Sunday Times, Myslexia, Bath & many more.

 Saturday 25th and Sunday 26th January 14.00-18.00

You will be asked to submit between 1000-1500 words of your short story at least fourteen days before the start of the course which will be read by M J Hyland and your fellow course attendees. M J Hyland will give feedback on these stories over the course.

After the weekend intensive, you have the option to redraft your story and resend it to M J Hyland (within two weeks).

You will then receive comprehensive written feedback on the second draft.

This course is limited to eight people.

Memoir, as a genre is more popular than it has ever been. Everyone has the right to tell their story and their truth. I am a huge believer in the therapeutic benefits of creative writing, and getting your story down can be cathartic, empowering, and a real achievement! Join me on this six-week course where I’ll cover the key components of Memoir and give you the tools you need to write your story.

Entering writing competitions is great fun and brilliant for building up your writer’s CV if you get placed. Join this six-week course where, at the end of it, you’ll have a 2000 word short story that you can be proud of, and is competition ready.

The course will include a workshopping session where you’ll be given feedback from me and the rest of the attendees, and you will also give feedback on their short stories.

You’ll be expected to do a lot of reading and writing in between sessions, and a full course outline and reading list will be sent once you’ve signed up. Places are limited to eight so everyone (and their stories) are given a lot of attention.

This six-week course addresses and helps you to overcome imposter syndrome and that critical inner voice. It will stop you from comparing yourself with other writers. I’m going to get you to a place where all your brain space and energy goes into your writing, not having to manage the obstacles and barriers that eat into your writing time. I’ve worked a lot on overcoming these challenges, and want to share with you how I did it. If I hadn’t, I doubt I’d have got a two-book deal with Hachette, and become a published author!

Entering writing competitions is great fun and brilliant for building up your writer’s CV if you get placed. Join this six-week course where, at the end of it, you’ll have a 2000 word short story that you can be proud of, and is competition ready.

The course will include a workshopping session where you’ll be given feedback from me and the rest of the attendees, and you will also give feedback on their short stories.

You’ll be expected to do a lot of reading and writing in between sessions, and a full course outline and reading list will be sent once you’ve signed up. Places are limited to eight so everyone (and their stories) are given a lot of attention.

Entering writing competitions is great fun and brilliant for building up your writer’s CV if you get placed. Join this six-week course where, at the end of it, you’ll have a 2000 word short story that you can be proud of, and is competition ready.

The course will include a workshopping session where you’ll be given feedback from me and the rest of the attendees, and you will also give feedback on their short stories.

You’ll be expected to do a lot of reading and writing in between sessions, and a full course outline and reading list will be sent once you’ve signed up. Places are limited to eight so everyone (and their stories) are given a lot of attention.

This six-week course addresses and helps you to overcome imposter syndrome and that critical inner voice. It will stop you from comparing yourself with other writers. I’m going to get you to a place where all your brain space and energy goes into your writing, not having to manage the obstacles and barriers that eat into your writing time. I’ve worked a lot on overcoming these challenges, and want to share with you how I did it. If I hadn’t, I doubt I’d have got a two-book deal with Hachette, and become a published author!

Memoir is no longer the preserve of the rich and famous. We can all write about our life. If you’re keen to write your memoir, join me on this five-day course and learn all you need to get started. I’ll cover memory and truth, how to write about other people, setting, structure and more.

Each day will begin with a two-hour masterclass in an aspect of memoir writing. After lunch, you’ll have time to write with tasks and prompts inspired by the masterclass. There will then be the opportunity to share what you’ve written or how you found the process.

You’ll also be given two one-to-one sessions over the course of the week to discuss your work in progress and receive bespoke feedback on areas that are specific to your memoir.

The group will be limited to eight people to ensure all have a decent amount of time and attention.

Full course outline and recommended reading list will be sent to you once you’ve signed up. If you’d like to have a chat before signing up, please get in touch. I’d love to hear from you.

In this masterclass, we’ll delve into what makes a strong plot and how to approach plotting your stories. We’ll also discuss examples of our favourite plots in novels and other media and why they work well.

Are you a writer who aspires to become a published author? Getting your book out there is one thing, but turning your writing into a career is another entirely. Join two of 2024’s biggest debut novelists, Sunday Times Bestsellers, Jennie Godfrey and Samuel Burr, as they talk you through everything they’ve learned about becoming published authors. From pitching your book to anyone, mastering social media authentically and building a professional network, Jennie and Sam are ready to reveal all. 

There will even be an opportunity to get feedback on your own 60-second elevator pitch at the end of the session, but don’t worry Jennie and Sam will kick off with their own first, discussing how they went about distilling their stories, honing their pitches and ultimately securing their dream deals. 

Jennie Godfrey was raised in West Yorkshire and her debut novel, The List of Suspicious Things, is inspired by her childhood there in the 1970s. Jennie is from a mill-working family, but as the first of the generation born after the mills closed, she went to university and built a career in the corporate world. In 2020 she left and began to write. She is now a writer and part-time Waterstones bookseller and lives in the Somerset countryside.

Samuel Burr is a TV producer who has worked on popular factual shows including the BAFTA-nominated Secret Life of 4-Year-Olds. Samuel’s writing was selected for Penguin’s WriteNow scheme and in 2021 he graduated from the Faber Academy. A documentary he shot inside a retirement village when he was eighteen years old launched his career in television and inspired his internationally bestselling debut novel, The Fellowship of Puzzlemakers, which has been translated into 18 foreign languages. 

This six-month course has been designed to increase your writing confidence, help you find your voice, and start writing your novel. You’ll find the beating heart of your story and begin working on your first draft. Through close reading analysis and writing exercises, you’ll learn all about plot, structure, setting, character and voice. There will be opportunities to share your work in progress and receive constructive feedback in a supportive and creative space. I limit the class size to eight people so that everyone gets a good amount of attention

Part-payment plans can be arranged if you’d like to pay in three instalments.

August 5^th – £300

October 5^th £300

December 5^th £300

Please contact carla@rawwriting.co.uk if you’d like to arrange this.

This six-month course has been designed to increase your writing confidence, help you find your voice, and start writing your novel. You’ll find the beating heart of your story and begin working on your first draft. Through close reading analysis and writing exercises, you’ll learn all about plot, structure, setting, character and voice. There will be opportunities to share your work in progress and receive constructive feedback in a supportive and creative space. I limit the class size to eight people so that everyone gets a good amount of attention.

Part-payment plans can be arranged if you’d like to pay in three instalments.

August 5^th – £300

October 5^th £300

December 5^th £300

Please contact carla@rawwriting.co.uk if you’d like to arrange this.

This is an advanced course suitable for those who have taken the six-month memoir course level one with Raw Writing, or a comparable course.

Places are limited to eight so everyone (and their memoirs) are given a lot of attention.

The course outline and recommended reading will be sent once you’ve booked your place. If you’d like to have a chat first, don’t hesitate to email carla@rawwriting.co.uk or call me on 07474 116771.

Part-payment plans can be arranged if you’d like to pay in three instalments.

August 5^th – £300

October 5^th £300

December 5^th £300

Please contact carla@rawwriting.co.uk if you’d like to arrange this.

This is an advanced course suitable for those who have taken the six-month novel course with Raw Writing or a comparable course.

Part-payment plans can be arranged if you’d like to pay in three instalments.

August 5^th – £300

October 5^th £300

December 5^th £300

Please contact carla@rawwriting.co.uk if you’d like to arrange this.

This is an advanced course suitable for those who have taken the six-month memoir course level one with Raw Writing, or a comparable course.

Part-payment plans can be arranged if you’d like to pay in three instalments.

August 5^th – £300

October 5^th £300

December 5^th £300

Please contact carla@rawwriting.co.uk if you’d like to arrange this.

This is a course for anyone who would like to deepen their understanding of poetry, through careful reading and creative writing. Each week we will look at some important poems from English literature in detail, and discuss how they work. What are they saying, and how? We will consider aspects such as form, style, rhythm, rhyme and ask how a poem speaks to us. You will be invited to write your own piece in response to what we have read and to share poems that have moved and inspired you.

Malcolm Hebron, DPhil, Fellow of the English Association. Malcolm took a doctorate at Oxford University and then taught English literature for many years at Winchester College. He has published several academic books, including ‘How to Read a Poem’ (Connell Guides), and numerous articles on poets. He has edited a journal for English teachers, writes his own poems and is passionate about sharing his love for literature with anyone who will listen!